War Reign Cinematics by Lee Soo In

Lee Soo In, FX artist at  Penxel, has uploaded several great cinematics and breakdown for the game War Reign using extensively Pulldownit plugin for destruction effects.

Lee Soo some words about his experience with Pulldownit plugin:

I’ve been using a lot of fragments tools. Among all the advantages of the PDI plugin,
the credibility of the results is very high and during the simulations access to objects is very easy.

Since we’ve done a lot of work with PDI, we’ve been able to do it very
conveniently.

“Bake simulation” is a good feature. Because I can change the timing and
speed freely , many times It is convenient to perform detailed tasks with keyframe modifications.

below another great War Reign cinematics with some PDi destruction effects, and lots of smoke using Fume FX and Krakatoa,

Thank you for showing those great  videos  and your testimonial Lee.

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Pulldownit for Maya 2018

Maya 2018 has been finally released by Autodesk, and Pulldownit plugin is already available for it, you can download Pulldownit Pro for Maya 2018 from the users area if you have licensed the plugin or download demo versión  from the web site in case not.

Apparently legacy viewport has been removed from Maya 2018, you can enable it again by setting the environment variable MAYA_ENABLE_LEGACY_VIEWPORT, anyway Viewport 2.0 seems to be the future for Maya so Thinkinetic has made an effort to fix several issues of the plugin when using it in VP2 and now it is fully supported, along it other annoying issues reported by users has been fixed in this latest update ( 3.8.8) you can read the full list of fixes in the version logs page of the Thinkientic web site,  besides you can review latest features and demos of Pulldownit 3.8 here:

Pulldownit 3.8.6 new features

Maya 2018 doesn’t count with overwhelming new features but with quite a lot of fixes and useful improvements; this time Autodesk has preferred to fix  several issues which sadly were doing  Maya 2017 not usable in production  and improve  tools and solvers already present like the UV editor, Bifrost  or XGen, the Maya built-in hair solver, which is a great tool indeed and now has new useful capabilities as the Clump modifier, better  interactive grooming and ability to make hair and fur collide physically with other objects in the scene.

And don’t forget the new versions of Arnold and MASH included,  these plugins  are developed by external teams and now count with new features, here a pretty impressive demonstration by Steven Roselle about rendering a dense forest of 10000 trees with millions of polygons  combining  Arnold and  MASH capabilities in Maya 2018.

Export PDI dynamics from Maya to UE4

In this excellent tutorial Esteban Cuesta shows us how to destroy a pile of tubes using Pulldownit in Maya and then export it to Unreal Engine 4, but not only this, he also teaches us how to trigger the destruction in UE4 when a bullet hits the model during the game. Exporting broken models and dynamics to UE4 works with either Pro version and free version of Pulldownit, just follow the tutorial to learn how to add quality destruction effects into your game.

 

thank you Esteban for the amazing tutorial

 

Pulldownit Update 3.7

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Our main focus in this update has been to increase plugin reliablity and improve to the maximum several already outstanding features. All reported bugs so far have been fixed, working with hi-poly meshes for shatter and dynamics is faster and several options for fracturing has been adjusted following users experience, thanks to all that contribute to continuously improve Pulldownit plugin.

Besides Shatterit tool has been enhanced to break holed shapes like 3D letters correctly, watch shattering  letters intro and video tutorials by Esteban Cuesta

Shattering Letters 3D Max Video Tutorial

Shattering Letters Maya Video Tutorial

 

v 3.7 Enhancements:

  • Perfect shattering of holed concave shapes like 3D letters
  • 20% speed up shatter for hi-poly meshes
  • Improved behavior of fracture bodies option “Break Upon Impact” specially with force fields
  • “Force convex shapes” is now the default for fracture bodies creation, allowing very fast and stable fracture dynamics in most cases.

Fixes for 3ds Max plugin:

  • Fixed rigid body masses overrided after reseting scene
  • Fixed jagginess doesnt apply to fragments with multi uvs
  • Fixed shatter crash when non-convex faces are present
  • Fixed seed 0 doesnt generate diferent point cloud each time
  • Fixed Radial shatter generated aligned points on the borders
  • Fixed fragments slide weirdly on the grid plane
  • Fixed 3d Max crash when apply jagginess to concave faces
  • Fixed 3d Max crash sometimes after making scene->new and resetting simulation
  • Fixed 3d Max crash after shattering an object with modifiers applied sometimes
  • Fixed shatter preview point cloud weird displacement with excentric objects
  • Fixed Fracture bodies attach nearby fragments each other regardless threshold sometimes
  • Fixed Fracture bodies ignores breakable by frame clusters when fragments are sleeping

Fixes For Maya Plugin:

  • Fixed local shatter pivot doesnt fit to surface by default
  • Fixed missed normals for holed faces
  • Fixed seed 0 doesnt generate diferent point cloud each time
  • Fixed hidden scene layers are showed after loading a scene
  • Fixed shatter locator get selection lost when moving it in preview mode
  • Fixed Undo queue turned off after some plugins operations
  • Fixed Radial shatter generated aligned points on the borders
  • Fixed reshatter in preview mode fails when UI units diferent than cm
  • Fixed fragments slide weirdly on the grid plane
  • Fixed shatter preview point cloud weird displacement with excentric objects
  • Fixed Shatter Undo all delete ground grid when there arent Pdi bodies in scene
  • Fixed Fracture bodies attach nearby fragments each other regardless threshold sometimes
  • Fixed Fracture bodies ignores breakable by frame clusters when fragments are sleeping
  • Fixed Advanced fractures window doesnt clean-up after scene new

Quake at St.Lawrence Church By Luis Tejeda

Luis Tejeda has posted a new video showing a cinematic action shot where a church tower collapses during an earthquake. The scene is a recreation of the real environment and setting of the San Lorenzo Church in Cordoba, Spain. Pulldownit 3.5 was used for all destruction effects.

See breakdown in the project page,

http://www.luistejedastudio.com/news

The Midas Effect by Niels Bosch

                                                                                                                                               Niels Bosch kindly explain us the main features of this endearing story made for his final project at Utrecht School of Arts, Pulldownit plugin was used extensively for all the scenery destruction effects.

The main goal for the look of the film was to make a believable feel of the clay material, everything had to look hand sculpted. In order to achieve that goal we turned to Zbrush for the sculpting part. For the clay structure we mostly used the standard brushes within Zbrush. These basic tools gave us such great freedom to make everything look as if it was hand sculpted.

The simulations were all done with Pulldownit. We wanted to create a “cute” explosion, it had to feel tiny, like it all happened inside of a cardboard box. In order to do this we didn’t use any dynamic fields to make the pieces fly apart, instead we gave every piece a slight angular acceleration to give it a springy effect. We used particles to simulate smaller pieces, the emitter was connected to the inner material of the shattered pieces. These particles were driven by several expressions which influenced its motion parameters like angular velocity, to give them a dynamic feel.

What I liked most about Pulldownit was the straight-forward usability, everything
from shattering the object to baking the simulation was very clear and easy to use.
The dynamics properties were easy and fast compared to other dynamic engines, and
the different bounding volumes came in very handy while doing larger simulations.

The main render engine we used was V-ray. The three of us had worked with V-ray on several projects so it was our first choice. The shading of the clay world was just a simple V-ray shader, nothing too fancy because the clay look was achieved by sculpting and then applying the displacement maps on the low poly mesh. We knew the render times would be substantial because we used a lot of displacement maps. So in order to lower the render times we decided to use no reflection on our clay shader and we used the world position pass and the normal pass to do some relighting in Nuke in order to fake the reflection.

The shading of the character was a bit more advanced. It contains the clay shader but on top of that the facial expressions and the gold parts were done with displacement maps and animated masks which connect to the controls of set driven keys. The disadvantage for using displacement maps for facial expressions is that the animator cannot see his actions in the viewport, so animating would be a pretty clumsy and very time consuming task.

To avoid this we came up with a solution to use the switch material within V-ray. This allowed us to make a preview material for the animator to see his actions, and switch between different clay/gold shaders for final rendering all connected with set driven keys to the face GUI.

About the authors:

Niels Bosh

https://vimeo.com/nielsbosch

Jonathan Krijgsman

https://vimeo.com/jonathankrijgsman

Almar Sloot

https://vimeo.com/almarsloot

Pulldownit nominated for the CG Awards 2015

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Proud to say Pulldownit plugin has been nominated for the CG Awards 2015 in the “best plugin” category.

Each year the  CG awards by 3D World magazine, rewards the  finest art and best tools for animation and VFX.

https://thecgawards.com

You can participate with your vote to choose the winner of each category, If you like Pulldownit plugin, you can support it and vote for it here:

https://thecgawards.com/vote/plug-in/pulldownit-3/

good luck to all the nominees!